In Chapter 5, Hester is released from prison and must face her life of solitude.
Hester Prynne's term of confinement was now at an end. Her prison-door was
thrown open, and she came forth into the sunshine, which, falling on all
alike, seemed, to her sick and morbid heart, as if meant for no other
purpose than to reveal the scarlet letter on her breast. Perhaps there was
a more real torture in her first unattended footsteps from the threshold of
the prison, than even in the procession and spectacle that have been
described, where she was made the common infamy, at which all mankind was
summoned to point its finger. Then, she was supported by an unnatural
tension of the nerves, and by all the combative energy of her character,
which enabled her to convert the scene into a kind of lurid triumph. It
was, moreover, a separate and insulated event, to occur but once in her
lifetime, and to meet which, therefore, reckless of economy, she might call
up the vital strength that would have sufficed for many quiet years. The
very law that condemned her--a giant of stern features, but with vigor to
support, as well as to annihilate, in his iron arm--had held her up,
through the terrible ordeal of her ignominy. But now, with this unattended
walk from her prison-door, began the daily custom, and she must either
sustain and carry it forward by the ordinary resources of her nature, or
sink beneath it. She could no longer borrow from the future, to help her
through the present grief. To-morrow would bring its own trial with it; so
would the next day, and so would the next; each its own trial, and yet the
very same that was now so unutterably grievous to be borne. The days of the
far-off future would toil onward, still with the same burden for her to
take up, and bear along with her, but never to fling down; for the
accumulating days, and added years, would pile up their misery upon the
heap of shame. Throughout them all, giving up her individuality, she would
become the general symbol at which the preacher and moralist might point,
and in which they might vivify and embody their images of woman's frailty
and sinful passion. Thus the young and pure would be taught to look at her,
with the scarlet letter flaming on her breast,--at her, the child of
honorable parents,--at her, the mother of a babe, that would hereafter be a
woman,--at her, who had once been innocent,--as the figure, the body, the
reality of sin. And over her grave, the infamy that she must carry thither
would be her only monument.