Silhouette of Nathaniel Hawthorne in 1825(?)
from Portraits of Nathaniel Hawthorne: An Iconography by Rita Gollin(courtesy of Northern Illinois UP)
Hawthorne was
always a reader. While convalescing from his foot injury as an adolescent,
Hawthorne read prodigiously. Shakespeare, Spenser, Scott, and Rousseau were
all on the list, but his favorites were Bunyan
and Montaigne. And yet, Hawthorne rarely bought a book and was not considered
by others, nor did he consider himself, bookish.
Hawthorne's first foray into the world of authorship was his publication with
his sister, Louisa, of a newspaper, The Spectator, an imitation of the
Salem Gazette which Hawthorne distributed to his family. The publication,
edited by "N. Hathorne & Co." was short-lived; the first
issue was published in August 21, 1820, and the seventh and final
issue on September 18 of that year. Hawthorne penned the newspaper in his
own hand, with some assistance from Louisa, and copies of the original Spectator
are in the collection of the Peabody Essex Museum in Salem. The Spectator
contains poetry, domestic news, essays, and advertisements, such as one seeking
a husband for his fifty-year old aunt, Mary Manning, and one asking for a position
for an indigent
poet. The plea for subsidy and a note in one issue announcing "a new edition
of the miseries of authors," indicate that Hawthorne was aware, even then, that
the writing life that beckoned was not to offer the financial security he might
have wished, but perhaps more importantly this ad, and other pieces in The
Spectator, signaled the wit that would be a part of Hawthorne's mature work.
Hawthorne's writing in the paper also reveals a preoccupation with death and
time, separation and loneliness, subjects of writers of the day, but also not
surprising topics for an adolescent whose father died when he was a young boy.
One poem, in the last issue of The Spectator, seems likely to refer to
this early tragedy in Hawthorne's life:
The billowy Ocean rolls its wave,
Above the shipwreck'd Sailor's Grave,
Around him ever roars the Deep,
And lulls his wearied form to sleep,
Low in the deep Sea's darkest dell,
He hears no more the tempest swell.
In the domestic news section of the first edition of The Spectator,
Hawthorne refers to the story around Salem of a sea serpent seen off the coast
of Massachusetts in 1819, another of a series of sightings of such a creature
dating to 1638. In The Salem World of Nathaniel Hawthorne, Margaret Moore
notes that in this article Hawthorne "foreshadows his feeling about the use
of specter evidence against the witches" (148). Hawthorne never, however, made
use of the sea serpent story in his fiction. Moore points out, however, that
Hawthorne may have written such works, but they may have been lost. Moore points
out that Hawthorne's sister, Elizabeth, "said that her brother showed her in
the summer of 1825 the tales that would have made up his projected 'Seven Tales
of My Native Land' which 'dealt with witchcraft and the sea.'" One tale
contained some verses, only one line of which has been preserved. 'The rovers
of the sea, they were a fearful race' (149).